Over the last decade it has become clear that the meaning of Cubanidad and its social construction are no longer affairs conducted just in Cuba, nor even by Cubans alone. In its musical setting, Cuban culture has become a 'pan-American' cultural legacy in the widest sense, influencing both Latin America and North America. As a unique fusion of cultural influences, Cuban music also speaks with great vitality to European and African audiences, and to an emerging transnational youth culture. Although not overtly providing a means of propaganda and politicisation, its affective content nonetheless suggests that Cuba is here to stay as a vigorous and independent nation (with or without Castro), but not without a revolutionary sense that Cuban culture has something unique to offer its global audience.
Ferguson, R. James
"The transnational politics of Cuban music and Cuban culture,"
Culture Mandala: The Bulletin of the Centre for East-West Cultural and Economic Studies:
1, Article 3.
Available at: http://epublications.bond.edu.au/cm/vol6/iss1/3