Grace Cossington Smith’s inspirational tempera on cardboard (circa 1930) of a view of the Sydney Harbour Bridge nearing completion adorns the second edition of this overdue book. The same metaphor adorns the 1992 edition, although that was an anonymous black and white photograph. In some ways the images illustrate the differences between the two books and they are also an apt metaphor for ADR in this country.
10, Article 3.
Available at: http://epublications.bond.edu.au/adr/vol5/iss10/3